Showing posts with label NoHo Noir. Show all posts
Showing posts with label NoHo Noir. Show all posts

Saturday, 4 August 2012

NoHo Noir: Perceived Value


 PERCEIVED VALUE

Written by Katherine Tomlinson
Illustrated by Mark Satchwill


Gillis Montgomery didn’t like his wife working at the North Hollywood pawn shop. It was the biggest one they owned, but it was a trouble magnet, especially after a guy got shot trying to pass stolen goods while Orla was there alone. 

But Orla knew jewelry inside and out—“All those years of dress up,” she liked to say—and people were coming in every day hoping to exchange their valuables for enough money to pay their electric bill so they could keep the A/C on. Gillis could value most items with a cursory glance but he was clueless about bling.

Or so he claimed.

In truth, he hated dealing with jewelry. The misery was just too intimate when a woman came in to pawn her engagement ring, or a man brought in his father’s turquoise-inlaid cufflinks as collateral for a loan. The baubles were rarely worth much and the shame and despair of the people offering them up was like a wave of body odor—you couldn’t see it but the smell was so strong it could knock you off your feet.

Orla was better at dealing with the emotional stuff than he was.

Or so he liked to think.

When Martin Prentice walked through the door, Gillis heard Orla sigh.

Sunday, 15 July 2012

NoHo Noir: Smother Mother

                                         SMOTHER MOTHER
Written by Katherine Tomlinson
Illustrated by Mark Satchwill

Shannon could hear her son sobbing all the way from the parking lot. When she entered the office of the little motel they owned, she was upset to see her mother Maeve holding down the counter instead of Nori, the guest who usually covered for her when she had to run out on an errand.

She was torn between confronting her mother and tending to her son, who had hurled himself into her arms the moment he saw her. “What’s wrong Liam?” she asked as he burrowed his head into her leg.

“Nothing’s wrong,” her mother said. “He’s just a little cry-baby.”

“I am not a cry-baby,” Liam wailed.

Shannon stroked his back. “I know sweetie,” she said, giving her mother a lethal look. “Let’s get you cleaned up.”

She took Liam's hand and led him into the little apartment behind the office. 

“You’re doing him no favors by coddling him like that,” Maeve said, loudly enough that she could be heard through the locked door.

It had taken Shannon 15 minutes to calm Liam down and get the story out of him. He kept apologizing for “making Grandma mad,” and every time he did, the red haze clouding Shannon’s vision got a little redder.

She remembered apologizing for making her mother mad, even when she’d had no idea what she’d done.

Liam had set Maeve off by asking her where Nori was when he saw his grandmother behind the front desk in the motel’s office. Maeve had flown into a rage, ranting that he was dissing her and that she wasn’t going to stand for it. 

Sunday, 1 July 2012

NoHo Noir: There is no Contingency Plan


 
There is no Contingency Plan for the Zombie Apocalypse
Written by Katherine Tomlinson
Illustration by Mark Satchwill


It was 101 degrees outside but Esme had cracked the car’s window to avoid breathing in the stale alcohol fumes her partner was breathing out. The metabolized bourbon mixed with toxic levels of garlic from the pizza he’d eaten at lunch had formed an almost visible aura around him. The smell was so thick she wondered if it would explode if she flicked her lighter.
Some days she really missed smoking.
“We should all go out sometime,” Edgar said, for at least the fourth time since they’d clocked in. He was newly hooked up with a skanky badge bunny he’d met in a bar and was looking for validation for the relationship. Considering he’d thrown away four years of sobriety to be with his new love, Esme was not a big fan. She already knew more than she wanted to about “Lucinda” from the pictures on Edgar’s cell and the stories he chose to relate.
She didn’t even listen to the stories anymore, just nodded or grunted every once in awhile.
“You’re not listening Esme,” Edgar said.
“Sorry,” she said. “I’ve got a little bit of a headache.”
“Caffeine withdrawal,” Edgar suggested smugly. He drank Maker’s Mark like it was mother’s milk but didn’t like coffee. She had tried to be inconspicuous about her attempts to cut back on coffee in the wake of a scare with some breast cysts, but Edgar had noticed and driven her nuts with questions until she finally admitted what she was doing.
She was about to say something scathing about there not being sobriety chips for caffeine when the call came over the radio.
“Dispatch, say again,” Edgar said.
“You heard me Edgar,” the dispatcher said, in total violation of protocol. “You’d better get over there fast. The uni who called it in sounded pretty freaked out.”
Esme was already turning the car around.
“It was only a matter of time before they showed up in Los Angeles,” Edgar said.
“There is no ‘they,’ Edgar,” Esme said.
“You saw the memo, same as me,” he insisted.
“This is L.A.,” Esme said, “somebody’s shooting a movie.”
Edgar made a noise that sounded like “humph.”
Esme sighed. It was bad enough that everyone on the force had been working overtime on the homeless serial killer case. When the stories started coming in about cannibal attacks and zombies eating dogs, and the shift briefings started including warnings about designer drugs, everything got amped up another notch.
She knew Edgar was just clowning around to annoy her but some of the kids actually believed zombies were real.
But then, Esme guessed she couldn’t blame them when news stories were actually reporting that voters thought President Obama was better suited to leading the country in the face of an alien attack than Mitt Romney.
In the face of an alien attack, God help us, Esme thought.
“I wonder if it’s a fast zombie,” Edgar said.

Tuesday, 26 June 2012

Bloodline from James Rollins--out now

We're big James Rollins fans here at NoHo Noir and the good news is that he has a new Sigma Force novel available. It's called Bloodline. More about it here.

Wednesday, 6 June 2012

SSW Interview with Katherine

There is an interview with NoHo Noir writer Katherine Tomlinson up on the Shared Story Worlds site, where she talks about some of her recent projects like Drunk On The Moon and the Driftng Isles Project, and of course, NoHo Noir!

http://sharedstoryworlds.com/2012/05/interview-with-drifting-isle-chronicles-collaborator-katherine-tomlinson/

Wednesday, 23 May 2012

NoHo Noir presents..."Knock, Knock"

NoHo Noir presents its first comic strip..."Knock, Knock".

Written and drawn by Mark (script edited by Katherine) it tells the story of an old lady, Norma, who receives an unexpected visitor...but all is not what it seems!

"Knock, Knock" can be viewed and downloaded by following the link below:
http://www.scribd.com/mark_satchwill/d/94568527-Knock-Knock

Saturday, 14 April 2012

NoHo Noir: Out of Sight

Out of Sight
Written by Katherine Tomlinson
Illustrated by Mark Satchwill

Shannon was worried sick about Liam.
She’d been promised police protection for him but after a drive-by shooting on his school’s playground, the principal had asked her to teach Liam at home “until the dust settles.” She couldn’t really blame the principal, three kids and a teacher had been wounded and one of the kids had been paralyzed from the waist down.
So she’d made arrangements to home-school her son, borrowing tons of books from the library and searching the internet for lesson plans.
Liam had been a good student before the shooting but now getting him to focus on anything for more than five minutes was a struggle. He was anxious and hyper-vigilant and complained of stomach aches and headaches. He’d never needed a night light, even as a toddler, but now he refused to go to bed unless all the lights were on.
She and Liam had moved into Barbara’s apartment behind the motel’s office, which offered a little more security than the flimsy door of their old room, but not much.
Shannon had called a locksmith to install extra dead bolts on the door connecting their apartment to the main office, but had sent the locksmith home when she saw his Hispanic features and the tats that sleeved his arms.
She’d told him she was sorry, but that she’d had a cash flow problem and offered to pay him for his drive-time and gas.
He’d been surprisingly nice about it, which had made her feel guilty.
She’d quit her day job when Liam inherited the motel, the income from the rentals being $100 more a month than she’d brought in before. She kept up the medical transcription gig, though, because she could do it at home and look after Liam and the needs of the guests at the same time.
 Not that guest services was a big part of the motel experience. There was no maid ser vice—guests were responsible for dumping their own trash.
They got clean towels and sheets once a week, but if they washed the linens themselves, they got a little bit taken off their rent.
Like Barbara, she turned a blind eye to the illegal hot plates and slow cookers plugged into the wall sockets in the tiny bathrooms. But like Barbara, she kept an eye on the people she knew were slobs, posting little notices about not leaving food out lest roaches move in.
She also kept an eye on Nori, a teenage girl she suspected of being a runaway who often entertained male visitors for a couple of hours at a time. But Nori kept a low-pro and the only real problem she’d ever caused was once when her pot dealer came around looking to barter his goods for her services.
The guy in the unit next to Nori, Kevin Eastman, was a recovering addict who had no problem confronting the “businessman” in the parking lot. Shannon hadn’t seen the pot dealer again. She had thanked Kevin and he had ducked her gratitude, saying only that he didn’t think the kids who lived at the motel should have to worry about druggie scum hanging around.
He asked her often how Liam was doing. He was a vet of the Gulf War and recognized PTSD when he saw it.
He’d told Shannon how sorry he was the boy had been caught in the middle of things and he’d praised him for being so brave.
He seemed to think it was a good thing that Barbara had left the motel to Liam. “Maybe something good can come out of something bad,” he’d said.
“I’ll pray for you both,” he’d added.
The other guests, some of whom had been at the motel longer than she and Liam, were jealous as hell about her son’s inheritance, and suggested that maybe Barbara had been a lesbian and Shannon had serviced her in return for favors.
They didn’t care if Shannon heard the gossip.
“Don’t listen to them,” Kevin Eastman had said.
Shannon didn’t care that much about what they said about her but she didn’t like Liam exposed to their nasty tongues.
If she could have come up with a legal reason to evict the haters, she would have.
Especially since the nasty remarks about prostituting herself hit too close to home.
She’d once traded sexual favors for car repairs and while the guy had been decent about it, she had been so consumed with self-loathing that she’d never been able to go back to the gas station, even though it was the one closest to the motel.
Liam didn’t really talk about Barbara much but she knew he missed her. The bitter old woman had been the closest thing he’d ever had to a grandmother and he’d soaked up her attention like a thirsty paper towel.
Shannon did not want her son to testify against the shooter, who’d been identified as a shot-caller for a gang called the Burbank Trece Rifa. When the cops first used the phrase “shot caller,” she thought they were saying “shock collar” and she’d been puzzled.
When the DA defined the term for her, she was still confused. The way she understood it, the “shot callers” were the ones who gave the orders, not the guys who actually got blood on their hands. She’d asked him about that and his answer had been chilling.
“He missed the juice,” the DA had said. “And this one was personal.” The kid he’d killed had been his nephew, Shannon had learned. The shooter had suspected him of working with the cops.
“Was he?” Shannon had asked.
The DA had shrugged. “Yeah. Someone dropped the ball there,” he’d admitted.
It had not been an answer calculated to instill confidence.
“My son is not testifying,” she’d said.
“If Liam doesn’t testify, we got no case,” he’d replied. “Your son can help us put away a real bad guy.”
“They said they would kill him,” Shannon said.
“They’re trying to intimidate you,” the DA said.
“They’re succeeding,” Shannon said.
The DA had sighed then.
“Nothing is going to happen to Liam,” he’d said.
Two hours later a couple of big guys in suits had shown up at the motel. “The DA sent us,” the first one said. “I’m Marshal Sullivan and this is Marshal Altieri.”
“We’re here to protect Liam,” Altieri said and then added as an afterthought, “and you.”
Shannon had introduced them to Liam as “friends,” and he seemed to accept their presence without much surprise.
The two men traded off shifts for the next two weeks, Sullivan sitting in the motel lobby during the day and Altieri spending the nights lounging on the couch in Barbara’s apartment, watching dvds with Liam until he went to bed and then working on his laptop as mother and son slept.
Shannon found it surprisingly easy to sleep with a stranger in her space. She’d forgotten how nice it was to have a man in the house.
On the morning Liam was to make his first appearance in court, Shannon dressed him up like a little man in a suit she’d found at a thrift shop.
“He’s a handsome kid,” Sullivan had told her as he bundled them into a black SUV.
“And brave too,” he’d added.
He’d touched her arm lightly then. “You’ve raised a little hero,” he said. “You should be very proud.”
Shannon had nodded, not trusting herself to say anything.
At the courthouse, the marshals had by-passed the screening but she had set off the alarms somehow.
“We’ll meet you upstairs,” Altieri said and he and Sullivan had walked off with Liam between them, looking very small.
The minute they turned the corner out of sight, Shannon started to panic.
She cleared the security scanner and ran down the hallway without retrieving her purse, hoping to catch the men before they got onto an elevator.
She was hyperventilating before she reached the bank of elevators and there was an alarmed bailiff trailing her.
“My son,” she gasped out, “they took him!”
The bailiff’s anxious look turned to one of alarm.
“Who took him?” she asked.
“The marshals,” Shannon said, punching the UP button on the nearest elevator.
“You need to calm down, ma’am,” the bailiff said, signaling one of the nearby cops for help.
The bailiff reached for Shannon and she drew back.
The cop closed in.
Shannon took a deep breath, trying to calm herself.
Before she could exhale, a tall blonde woman wearing a skin tight skirt suit in a shocking shade of orange glided up next to her and took her arm.
Shannon was so shocked to see her mother that she didn’t even resist.
“I’m so sorry,” Maeve said to the bailiff and the cop, “my daughter has been under a great deal of stress lately.”
The cop and the bailiff hesitated.
“It’ll be all right,” she said and gave them both the big smile that had won her the title of “Miss Henrico County” back in 1979.
The Bailiff had given Maeve a hard look—women always distrusted her southern charm—but the cop backed off right away, glad not to have been drawn into what was obviously a volatile situation.
“Your little boy?” she’d asked.
“He’s fine,” Maeve had said firmly. “His mother is a bit of a drama queen.”
She’d turned to Shannon then and given her a smile meant for show, a smile full of motherly fondness with a touch of despair.
“Let’s go Shannon,” she said.
She kept her grip on Shannon’s arm, her manicured fingernails biting through the thin fabric of Shannon’s blouse.
No, no, no, no, Shannon howled in her mind and then, when others in the hallway looked up, realized she’d screamed aloud.
“Stop making a scene,” her mother hissed.
The elevator opened onto the floor housing the criminal court and Shannon nearly sobbed with relief when she saw Liam sitting on one of the benches, bookended by the two marshals.
Liam saw her and waved happily, then stopped in confusion as he saw the woman in the shockingly orange suit.
“Who are you?” he asked.
“I’m your grandmother,” Maeve said.
“I don’t have a grandmother,” he said and glanced at Shannon for corroboration.
“Oh you poor boy,” she said as she swooped down like a vulture to engulf him in a hug.
“Take your hands off him,” Shannon said, knowing even as the words left her mouth that she sounded crazy.
Sullivan raised his eyebrows. Maeve pouted in his direction, playing out a part.
 “Grandma’s here now and she’s going to take good care of you.”
She looked back over her shoulder at Shannon and her eyes had a triumphant gleam.
Shannon’s heart sank and she could barely hear her mother’s next words over the pounding blood in her temples.
“We’re going to have such fun while I’m here.”



Sunday, 8 April 2012

NoHo Noir: Take the Bunny and Run

Illustration by Mark Satchwill
TAKE THE BUNNY AND RUN
By Katherine Tomlinson
Illustrated by Mark Satchwill

Rob Nolan didn’t like any of his teachers but he hated Adam Chu the most. He’d had the biology teacher freshman year and although he was now in P-Chem and would never take a class from him again, Rob was stuck in his home room. It seemed like Chu was always watching him with those slanted eyes, watching and waiting.
They’d clashed early in the semester when Rob had confronted the teacher about the constant surveillance.
“You like what you see Adam?” Rob had taunted, running a hand down his skinny chest seductively.
“I’m a biologist,” Chu had replied without heat, “I’m interested in mutated life forms.”
Some of the kids had laughed at that until Rob had looked at them.
That’s all it usually took. One look. And if that wasn’t enough, he could always sic Poo on them.
Poo liked hurting people.
Rob had thought about reporting the teacher to the principal—Wayne Richtman was a raging racist and homophobe and that made Chu a double target—but he had decided he wanted to deal with the teacher himself.
He’d put quite a bit of thought into what he might do and a lot of preparation as well. Rob had read about a guy who’d been blown up by terrorists who’d planted explosives under a floor years before their victim ever set foot in the room. He admired that kind of advance planning.
So he’d been keeping his head down, biding his time, lulling the biology teacher into a sense of complacency.

Tuesday, 27 March 2012

NoHo Noir: Family Secrets


 Family Secrets
by Katherine Tomlinson
Illustration by Mark Satchwill
Illustrated by Mark Satchwill

The police had calmed down when they discovered the gun Alex had brandished was a prop gun. Of course, once they realized it was a prop, they wanted to know where he’d gotten it and that had gotten sticky. He didn’t want to say and they told his lawyer they weren’t going to release him until he did. He might have held out but his wife was close to hysterical by the time she arrived at the station and there didn’t seem to be much point in clamming up.
He’d told the unsmiling detective he’d “borrowed” the gun from the web series he was working on; adding that he’d planned on returning it the following Monday before anyone noticed it was gone. “That’s not going to happen,” the detective had said snarkily.
“What the hell were you thinking?” he’d added.
Well, that was the problem. Alex hadn’t been thinking. He hadn’t had a coherent thought since his son had died.
Not died. Been killed.
The police had kept the gun and that was a problem because it had been established as the weapon the series hero was using and it was the only gun they had.
The producer had wanted to fire Alex but they only had two more episodes to shoot and replacing him would have been a PITA. Alex was playing the hero’s father and he was heavily featured in the storyline.
The mood on the set had not been supportive. Alex’s comments at the job fair had been widely quoted and even with asterisks inserted in place of strategic vowels, any reader could get the picture.
Jeroyd the sound guy had heard about the “nigger” line.
Alicia, the hot girl who played the hero’s fiancée, had heard about the “cunt” remark.
Alex didn’t even try to explain because he knew there was no way he could. He didn’t think of himself as either a racist or a misogynist, but those words had come from somewhere, hadn’t they?
And never mind that he never used words like that. He had used them and there had been witnesses and now there was no unsaying them.

Sunday, 18 March 2012

NoHo Noir: A Diamond as Big as the Ritz

A Diamond as Big as the Ritz
Written by Katherine Tomlinson
Illustrted by Mark Satchwill

Orla Montgomery was in the shop alone when the guy came in with a small plastic bag full of crap he set down on the counter in front of her.
The bag was from Ranch 99, which told her he wasn’t from the neighborhood. The nearest Ranch 99 store was on Sepulveda up near the Costco.
“Hey,” he said, with an accent that was pure Arkansas, so she knew he wasn’t a California native.
He smiled at her too widely, exposing the stumps of his front teeth, which told her he was a tweaker.
“Good morning,” she said, smiling at him. “What can I do for you today, sir?”
She could tell he liked being called “sir.”
As she moved closer to the counter, her right foot nudged the switch that caused the security camera to zoom in on the customer’s face.
“I’ve got some jewelry here,” he said and dumped the contents of the plastic bag onto the counter in a tangle of glints and glimmers.
He pronounced it “jewel-a-ry.”
Orla stirred the heap of gold with her finger, separating it into its component parts.
“What do you think?” the customer asked anxiously.
“It’s beautiful,” Orla said, knowing there was no way in hell the guy could have come by the loot honestly.
She separated a heavy gold chain from the rest and held it up like a snake handler displaying a serpent, running it from hand to hand to admire the heavy Art Deco-style links. “Lovely,” she murmured as her customer shifted his weight from side to side and tried not to look impatient.
She put the necklace down and picked up a simple bracelet, recognizing it as one of Jean Schlumberger’s classic designs for Tiffany. She slipped it on her own thin wrist and admired it.
“So, how much can you give me?” the customer asked.
“Oh,” Orla said, “I think we can make you a price.”
She spread the pieces out so she could take a good look. All of them were vintage, dating from the late 40s through the 50s.

Sunday, 11 March 2012

NoHo Noir: Caller I.D.


"Caller I.D."
Written by Katherine Tomlinson
Illustrated by Mark Satchwill

Illustration by Mark Satchwill
Shannon Garrick had a love-hate relationship with her cell phone. When she’d been evicted from her last apartment, she’d left behind an unpaid electric bill, a delinquent gas bill and a cell phone bill that had rolled over three times before her provider finally cut her off.
Since then, her only form of communication with the outside world had been a cheap “pay as you go” phone she’d bought from CVS.  
The phone’s reception was crap but at least she had a number she could give the Human Resources people when she applied for jobs and a contact number if Liam’s school needed to get in touch with her. She refilled the phone’s minutes with pre-paid cards, always 30 minutes at a time. The cards with more minutes were actually a better bargain but they cost more and she never seemed to have the extra cash on hand.
Having a “burner phone” was a relief in many ways because it meant she didn’t constantly have to talk to creditors.
It was exhausting talking to creditors. She hated having to explain her situation over and over and over to people who probably weren’t making much more than minimum wage themselves. They always suggested that if she was in such dire straits she should declare bankruptcy, but that cost money too.
And deep down, Shannon felt that if she declared bankruptcy, she’d be admitting that she’d hit rock bottom. And if she admitted that, she was afraid she would lose heart altogether. She didn’t want to think about what would happen if she surrendered to despair. She didn’t want her mother raising Liam.
It was bad enough that her mother now knew where she and Liam lived. The news of the hotel shooting had gone national and pictures of a wide-eyed Liam surrounded by cops had flashed all over the Internet as pundits waxed philosophical about gang-related violence and the problem of “motel children.”
Her mother had immediately contacted Dr. Drew to offer an interview and use his show as a platform for reaching out to Shannon and the grandson she’d never met.

Saturday, 25 February 2012

NoHo Noir: It's Not Just a Job, It's an Adventure


Illustration by Mark Satchwill
It's Not Just a Job, It's an Adventure
Written by Katherine Tomlinson
Illustrated by Mark Satchwill

The job fair had only been open for an hour and Lindy McAuliffe was already ready to gnaw her own arm off to escape. It wasn’t just that the only people who were coming up to her table were pimply faced boys who were working as mall security guards and got hard at the thought of carrying a gun, it was just that the whole scene depressed her.
Her table was set up in the middle of a large-sized community room at a senior center that was jammed with job-seekers. The air was thick with the reek of desperation.
The woman at the table on her left was promoting a continuing education program at L.A. Valley College, the table on her right was manned by an executive from a fast-food franchise who told her that his sector of the service industry was booming.
She wasn’t surprised.
She wasn’t even surprised to see people in suits—and not just cheap suits—lining up to sign his clipboard and take his card.
She kept reading that the country’s economy was getting better, but if it was, the people in this room hadn’t gotten the memo.
She sighed as she saw a middle-aged man making his way toward her table.
“How you doing young lady?” he asked.
“Good morning sir,” she replied, emphasizing the “sir” slightly.
He smiled a little at that, as if he got the subtle dig at his age and appreciated it.
“Oh, I’m not here to sign up to be a peace officer,” he assured her. “Even if I were younger, I don’t think I have the right temperament.”
She smiled noncommittally, hoping the guy would move along to bother someone else.
“Do you enjoy your job?” he asked her.
“Yes sir I do.”
He nodded his head as if that confirmed some conclusion he’d already processed.
“You find it fulfilling then?”
“It’s very rewarding sir.”
He nodded again. “You like working with the public? Interacting with the citizens?”
“Yes,” she said, “I do.”
Except when people waste my time with stupid questions, she thought.
“Well, that’s good,” he said. “It’s good to have a job you like.”
Lindy smiled at him again, hoping it didn’t look strained.
Go away.
As if he could read her mind, the guy gave her a jaunty two-fingered salute.
“You have a good day Officer McAuliffe,”
“You too sir,” she said.

Sunday, 19 February 2012

NoHo Noir: Shattered Glass

 SHATTERED GLASS
by Katherine Tomlinson
Illustrated by Mark Satchwill

Illustration by Mark Satchwill
Barbara Dinwiddy hadn’t really wanted to install a snack machine in the motel’s office. The soda machine outside was trouble enough with the homeless people vandalizing it in hopes of scrounging change and her guests pounding on it in hopes of getting free drinks.
It still amazed her that people would pay more than a dollar for a cold soda rather than just buy a six-pack and chill it in their refrigerators but then, she’d scoffed at the notion of bottled ice tea when it first came out and now she routinely bought big cartons of Snapple at Costco.
And if she kept sweets and snacks in the house, she’d buy them in bulk too.
Barbara hated low-nutrition snacks with the zeal of a reformed junk food junkie and it drove her crazy watching her guests waste their hard-earned money on sugar- and salt-laden crap.
She’d stopped putting out lollipops on her desk when she realized her long-term guests were pilfering them and feeding them to their kids for breakfast.
It wasn’t that she wanted the kids to go hungry but she disapproved of jacking them up on sugar before unleashing them on their unsuspecting teachers.
Now, with a vending machine that dispensed candy bars and peanut butter crackers and such, Barbara felt like a pusher and the worst kind of hypocrite.
At first she’d told the vending machine salesman to stock energy bars along with the other stuff, but after a month, she’d had to admit that no one was buying them and told him to add M&Ms to the mix instead.
“Good choice,” he’d told her. “They’re the number one selling candy in the world.”
The vending machine salesman, whose name was Jim, had promised that she’d make a nice little income stream from her commission on snack and candy sales and he’d been right.
She got 13 percent of the proceeds and that added up to enough to pay a few bills every month. Not a big bill like the electricity, but it covered her car insurance and her post office box and the occasional take-out meal from Thai BBQ.
So the snack machine stayed.

Sunday, 29 January 2012

Hard Rain by Katherine Tomlinson


Illustration by Mark Satchwill
There was a knot of people gathered on the street running parallel to the freeway, just north of Moorpark. Everyone was looking at a blanketed lump at the foot of a chain-link fence, avidly staring over the flimsy barrier of yellow crime-scene tape with curiosity but little concern.
A few of the onlookers were taking pictures with their phones.
Lot of men around for this time of day, Esme noted as she pulled up next to a black and white and flashed her credentials at the young cop directing traffic.
Lot of men who are out of work in the neighborhood.
“Isn’t this where they found that guy barbecued in the trunk of his car last year?” Edgar asked, interrupting her train of thought.
“Yeah,” Esme said distractedly as she parked behind a beat-to-shit Mazda. She’d noticed a tall black man standing apart from the lookie-loos.
“Isn’t that Gene Burkhart?” Edgar asked.
 “Yeah, it is,” she said, not at all pleased to see him. Ever since the first North Hollywood victim had been found in the fall, he’d been dogging their steps and making noise about their lack of interest in catching a killer who was only preying on the homeless.
“Well now it’s a party,” Edgar said, ducking under the crime scene tape.
Ignoring Gene, Esme followed her partner over to the fence where an earnest young uniform was talking to a little old lady in a flowered cardigan. A sweet-faced long-haired dachshund sat quietly at her feet.
“Serafina and I were on our morning walk,” the old lady said.
“Serafina’s the dog,” the uni said, interrupting the old lady, who glared at him.
God bless dog walkers, Esme thought.
“And then Serafina told me she saw something by the fence.”
She pointed.

Sunday, 15 January 2012

Brief Encounter


Illustration by Mark Satchwill
BRIEF ENCOUNTER

By Katherine Tomlinson

The man who used to be a rock star smiled when he saw the girl in the laundromat.
Gary was a social guy and the last few weeks had been a lonely time for him.
The holidays always sucked and since Christmas he’d been nursing a low-grade depression like a persistent flu.
He’d dropped close to a thousand dollars on gifts for his kids and neither one of them had bothered to thank him.
He knew they’d gotten the presents because their mother had tweeted pictures of their Christmas tree and he’d seen the wrapped boxes in amongst the clutter of loot beneath it.
He wasn’t allowed to call their cell phones and every time he’d dialed the family’s land line he’d gotten voice mail. He didn’t want to leave a message; didn’t want to sound desperate and sad.
He’d thought about asking his ex if he could have the kids one Christmas so she and the asshole she was now married to could have the holiday all to themselves. Andi’s response had been snotty.
“Why would I want to send my children away at Christmas?” she had asked him. “And anyway, you don’t have the room.” That had been true enough, but his ex just couldn’t leave it there.
“What were you thinking, the kids could sleep in the bed with you and Lisa?”
Lisa was a sore spot with his ex-wife. More than one of his friends had pointed out that she looked a lot like Andi, only younger and hotter.
The ex didn’t like hearing that.

Sunday, 27 November 2011

One Day at a Time


Illustration by Mark Satchwill
It was already dark when Shannon Garrick left work. She hated the changeover from Daylight Savings Time. Even as a kid, the early dark had depressed her.
These days it felt like she was living in perpetual darkness, even on sunny days.
It would have helped if she’d had someone to talk to but she was terrified people would find out she and her son were homeless. It wasn’t just pride. It was fear. The other woman she worked with, who fancied herself something of an “office wife,” was jealous of her and wouldn’t hesitate to use the information to sabotage Shannon. Shannon handled money at the office, a lot of it in cash, and all it would take is a whisper of need for the suspicions to start.
And once the suspicions started, there would be inquiries. And it wouldn’t take too much digging to find out that Shannon was skimming money. Not much and not very often, but a five for food here and a ten for gas there and suddenly, she was in the hole for a couple of hundred dollars; money she had no hope of being able to pay back.
I hate my life, she thought, not for the first time.
I just want to go to sleep and not wake up, she thought, and it wasn’t the first time she’d thought that, either.
###
The third time Liam Garrick wandered into the manager’s office to stare into the vending machine by the front door; Barbara Dinwiddy started to lose patience. She was doing her end-of-the-month paperwork and he was distracting her.
She looked at the clock. It was after eight. It was too late for the boy to be out wandering by himself. Hookers used her parking lot to set up their dates and at least one drug dealer ran his business from a car parked on her property. He often came into the office to buy candy bars from the vending machine.
As bold as brass, she always thought.
“Liam isn’t it past your bedtime?” she asked.
“Um,” he said, which was no kind of an answer as far as Barbara was concerned.
“Where’s your mother?” she asked.
Liam’s eyes began to well with tears.
Oh hell, Barbara thought.

Sunday, 20 November 2011

NoHo Noir: Bum's Rush

Illustration by Mark Satchwill
Bum's Rush
Written by Katherine Tomlinson
Illustrated by Mark Satchwill

Esme Morales felt like shit. She’d finally told her mother she was working Thanksgiving, without revealing the assignment was by choice, and the ensuing phone argument had consumed her entire lunch break. She’d scarfed a power bar and chugged some water, but now, three hours later, she was starving, with the beginnings of a brutal caffeine withdrawal headache.
“Hope you haven’t eaten lately,” the young uniformed cop said as she and Edgar walked up to the crime scene.
Her partner perked up. Nothing like a little blood and guts to chase the boredom.
“What do we got?” Edgar asked, which always irritated her because he knew it irritated her when he dropped into CSI-speak but did it anyway. It was one of the friction points in their partnership.
She preferred to concentrate on Edgar’s little flaws so she wouldn’t focus on the real problem, which was that he was a lazy, fat-ass prick who did the least amount of work possible to collect a paycheck but couldn’t seem to stand back and let her do the job without him.
It made her crazy.
She squeezed her eyes shut to beat back the headache and tried to concentrate on what the uni was saying.
“…he hasn’t been here more than a couple of hours.”
Esme looked around the location in disbelief—across from a high school, right around the corner from a donut shop—the guy’s body should have been found within minutes.
“Too much to hope there are security cameras pointed in this direction?” Edgar asked.
“We’re checking now,” the uni said, then added, “sir.”
Kid, you are sucking up to the wrong detective, Esme thought. He won’t even remember your name the next time he sees you.
It bothered Esme that she thought of the young cop as a kid. She was only 34 but days like this, she felt a worn-out 50.
“Let’s see it,” she said, sounding bitchier than she meant to.
The young cop glanced at Edgar. He gave the kid a “What are you going to do?” shrug.
***

Saturday, 19 November 2011

She says: How NoHo Noir works

When Mark and I first started working on NoHo Noir, I already knew and liked his work. He had contributed illustrations to Dark Valentine Magazine, which I published. He worked fast (which turned out to be a godsend when we had artists drop out right before press time), and his work always brought an extra dimension to the stories.
What I didn't realize when we began our collaboration was what an intensely satisfying creative experience it was going to be or that it would lead to such a warm friendship, which I cherish.
So what was our process?  I'd love to say that "in the beginning was the word," but that wasn't always true.
Many times,"in the beginning" was a vague idea.
Until we began the countdown to the final episodes in Volume I, bringing everyone's story to a conclusion, the stories were never planned out in advance. As a result, sometimes the subplots took rather radical turns, some of which didn't pan out.
Our stories ran Saturday and Sunday. On Monday, I'd email Mark, letting him know what the two new stories would be and let him know if I had any thoughts for an illustration.  (At first, I used to bombard him with links to reference material and pictures of people and all sorts of information I thought he might need. I'm sure he thought it was overkill, but he never said so.)
Within a few weeks, though, we were so in synch that even when I was fumbling to find an image that would encapsulate my story, he'd deliver something that said everything I wanted to say (and more). He created a lovely painting for my father/son story "Cosmos" that was set at the Griffith Park Observatory, my favorite building in Los Angeles. The painting really captured the closeness of the two characters, whose stories became the heart of the series.
He was also good about indulging me. His illustration for "Molecules," a story that introduced an elderly widower still mourning his wife, he modeled the character's cat after my own favorite feline, Orange Cat.
More than a few times, Mark completed his illustration before I completed my story and as a result, I was inspired to write a better story.
Sometimes his illustrations made me laugh out loud, like the one he painted for a story called "He Said/She Said," chronicling a couple's disastrous story pitch at a movie studio. I had told him I wanted the executive's office to be filled with classic movie posters and he chose Jaws. The result was a hilarious illustration that added a special dimension of silliness to what was one of my favorite stories.
Now that we're publishing a whole new cycle of stories, I'm a little more organized than I was with Volume I.  I know where the stories are going and how we're going to get there. Mark's already way ahead of me, though, having finished the illustrations for the first two stories before I've written word one.
He also designed this site and put together all the little details that make it awesome.
I (heart) Mark Satchwill.

Friday, 11 November 2011

New Noir Fiction

Looking for something to read while you wait for the first installment of NoHo Noir? Pick your poison. G. Wells Taylor's The Fifth Horseman, the last of his Apocalypse Trilogy, is now available, with the first novel in the series free on amazon.com and also on Wells' site. Blending a classic western story with an end-of-the-world theme, The Fifth Horseman can be enjoyed as a stand-alone.
Silver Tears, the latest installment in Paul Brazill's Roman Dalton shared-world series Drunk on the Moon, is now available. John Donald Carlucci's tale of a serial killer targeting the werewolf detective offers a new spin on the monster mythology.
Christa Faust's new novel Choke Hold is out. Ex-porn star Angel Dare is back (in the sequel to Money Shot).  Rolling Stone calls Choke Hold, "an instant pulp classic."
If you're looking for noir in small bites, check out Laughing at the Death Grin from Pulp Metal Press.The anthology features 13 dark tales from Paul D. Brazill, Heath Lowrance, Chris Rhatigan, Richard Godwin, Frank Duffy and more...
Patti Abbott's Monkey Justice collection is out from Snubnose Press. NoHo Noir's own Mark Satchwill illustrated the title story when it ran in Dark Valentine Magazine.
Let us know when you're finished reading everything--we've got more suggestions than a corpse has maggots.

Thursday, 10 November 2011

Welcome to the Neighborhood!

This is the new home of NoHo Noir, an illustrated serial novel created by artist Mark Satchwill and writer Katherine Tomlinson. Beginning Sunday, November 20, we will run at least one story a week, following the adventures of a diverse cast of characters who live and work and play within the borders of North Hollywood, California. (Called NoHo by its residents.)
If you liked Volume I (archived here), we think you'll like Volume II.
We've got all new characters, all new plots and we don't have to put asterisks in our swear words any more! Among the characters we'll be featuring over the next weeks and months will be Christopher Robin Nolan (left), the 16-year-old son of a single mother who has given up trying to understand him. Stay tuned. And in the meantime, don't forget to follow @nohonoir on Twitter!